Carl Barks was married to his third and last wife, Garé, for almost 40 years. They made a perfect team both personally and artistically. She entered her husband's life by coincidence but through the years their unbeatable painting skills added volumes to the art world. Garé was a born natural with her paint brushes and she soon raised, cultivated and encouraged the sleeping talent in Carl. And she was always her husband's biggest fan...

 

 

THE STORY


1940


1961


1973


1983

Margaret Wynnfred was born in 1917 as the second daughter of the Williams family from Hilo, Hawaii. She was born without her left hand and forearm which from the start probably made her more determined to achieve her goals and be the best at anything that she would set her mind to. And her overwhelming interest was art. When she was a toddler she was drawing with pencils and luckily her parents acknowledged her talent and encouraged her.
She was given the nickname Garé - which is some sort of abbreviation for Margaret and actually pronounced more like Gary - in school because the class already had another Margaret present.
As a teenager she earned herself a reputation as being a good artist and she even helped her architect father with drafting work.

In 1936 Garé graduated from the local art school with distinction. She then moved to Boston, Massachusetts, in order to attend the prestigeous Vesper George School of Art where she often worked until the small hours of the night. She was soon spotted as one of the most talented students ever there and her hard work got her into Who's Who in the World in 1941.
After her graduation in June of the same year Garé returned to Hawaii only
to experience the Japanese attack on Pearl Harbor half a year later. This incident brought USA into World War 2 and the inhabitants of Hawaii were encouraged to move to the mainland. The Williams family followed suit and settled in San Jacinto, California, where Garé divided her time between family chores and her floral paintings that were already beginning to make her famous.

One day Garé saw a newspaper article about a nearby chicken farmer who dabbled with the drawing of some comic books and she went out there to see if he might have any work for her. Little did she know that she met her future husband that day because the farmer was Carl Barks. But he did not have any work for her and that was that. For the time being...

After spending the remaining war years as a draftsman for the McDonnell Douglas aircraft company Garé continued her painting at the family's house. She had married years earlier but that ended in a painful divorce. However, in 1952 everything seemed to brighten up as she happened to meet Carl Barks again. By coincidence he visited a country art show of which Garé was in charge and they got to talking.
After two failed marriages Barks had finally found a woman who understood him and appreciated his work and they began dating. But on their second night out they were in a car accident which injured Garé's back and forced her into reconvalescens for several months. Extremely bad luck but somehow it turned out to be somewhat of a blessing after all. From the bed Garé was unable to pursue her career as a painter and Barks suggested that she could help him with his work instead.
She was willing and in all the years until the retirement in 1966 she faithfully and tirelessly did all all the tideous and dull chores that her husband detested; filling large black areas with ink, lettering and inking many backgrounds in the splash panels. And she was so devoted that she more or less sacrificed her own promising painting career which slowed down to a minimum.

The couple was married in Reno, Nevada, in 1954 and by that time Garé had realized that instead of painting tropical floral arrangements she preferred the painting of landscapes i.e. forests, mountains, lakes and rivers through the different seasons of the year. She participated in a multitude of art shows up through the sixties and won several prestigeous prizes for her eminent work.
Garé learned new aspects of the trade all the time. Her many forest paintings for example clearly reflects her understanding of varying use of colours, and light and dark effects. Many a day her husband drove her to the nearby Californian woods where she could draw countless sketches to be used later in her compostions back in the studio.

Garé was now so esteemed in art circles that her work began to appear on Christmas postcards from the Leanin' Tree company, and this line of work paramounted in 1991 when her painting Mountain Laurel Time was chosen in competition with 2,500 contestants as the one supplied to the American troops in the ongoing Gulf War in Iraq. Many of the paintings are nowadays on display in the Leanin' Tree Museum of Western Art in Boulder, Colorado.

From the early 1980s Garé experienced growing health problems but she was still working long hours at her beloved easel almost every day. The couple had only a few friends as right from their joint start they had decided to devote themselves to their work. And they stuck to the initial decision and worked to the end bringing unspeakable joy to countless thousands of art lovers.

Garé died on March 10th, 1993. She is buried next to her husband at Hillcrest Memorial Cemetery in Grants Pass, Oregon. (See HERE).

 

 

THE PAINTINGS

1969


Bullcreek Giants

Mountain Laurel Time

Avenue of the Giant

 

1971

Greetings

Winter's Near

 

1973


Dawn Mystique

Where Centuries come and Go

 

1974


Cougars Repose

Party Line

Right Creek Winter

 

1976


Song of the South

Gold on the Mountains

Where Cougars Walk

 

1978


J.P. Cottontail Esq.

Starlit Passage

Winter Gold

 

1979


Evening Snack

The Offering

 

1980


The Holiday Feast

Mt. Hood Elk

 

See more about the paintings HERE.

 

 

THE SUNDRY


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In a way Garé acted as a consultant when Carl drew the Menuhune story which partly takes place in her native Hawaii. She contributed first-hand knowledge of food, plants, flowers and the Polynesian phrases.
Garé kept, in a large cage on the covered patio, a half-dozen tropical yellow-billed magpies which she called The Beagle Boys.
Ferd'nand
The Danish immigrant Henning Dahl Mikkelsen (better known under his artist name Mik) created the immensely popular silent comic strip Ferd'nand in 1937 and Garé would occasionally contribute gags to the series.
Garé once compared her husband to Scrooge: Oh, yes, Carl's thrifty like Scrooge. He never spends unwisely or charges things. He pays for them in cash, like Scrooge, so that he never pays any interest that he doesn't have to.
What are you getting so damned tightwad about? Get out and spend your money!
It is interesting to know that Garé's favorite story was FC0159 Ghost of the Grotto, because, as she said,
It's got pathos.
Barks almost never took a full vacation in his entire life but he would from time to time drive through some of the states just to relax. He often drove Garé out to locations where she could sketch new ideas on her sketchpad for use in the fantastic landscape paintings back in her studio.

WDCS182
In the early summer of 1955 the couple had arranged for a small vacation and Carl was busy finishing this story before they could leave. One panel called for mountains of china to be drawn. Luckily Garé came to his assistance.
Despite of his teamwork with Garé, Carl always saw the comic book job as a lonely one. But he liked the solitude at the drawing board. He never really teamed up with anybody but his wife.
Bombie the Zombie
When it came to the naturalistic backgrounds in his paintings, Carl often received both inspiration and help from his wife. I'm not very good at swamps, he remarked about this painting, so Garé gave him a few pointers in order to get it right.

 


http://www.cbarks.dk/THEMUSE.htm   Date 2003-07-16