Carl Barks made most of his comic
book stories during the Cold War, and this state of affairs
influenced his work to some extent. The term Cold War means a
state of political tension and military rivalry between nations,
and it usually applies to the political hostility that existed
from 1945 to 1990 between countries led by the former Soviet
Union (mainly known as Russia today) on the one side and
countries chiefly led by the United States of America on the
other. In the first years following the Second World War tension
between the two dominating political systems of the world -
Communism and Capitalism - was at its highest.
Barks took up a variety of subjects rooted in the friction and
rivalry between the Soviet Union and his own country and turned
them into story plots. Examples are atom bombs and arms races. It
is plausible that the young readers who read the stories at the
time just saw them as any other entertaining stories, but Barks'
references to the epoch are plain to see and can be considered
chilling commentaries on a time of unrest.
In three of his Cold War stories Barks used heavy satire when describing a fictional nation called Brutopia, which is an easily recognizable parody of the former Soviet Union. The name alone (a combination of Brutal and Utopia) leaves us with little doubt as to what kind of country this is. The eerie feeling is rapidly reinforced when we meet some of its pig-faced inhabitants: they are all criminals and spies. Barks explained: Whenever I invented a villain, he was a stinking villain. He even looked it. All those pig-faced villains, and all those guys were mean all the way through.
U$17 A COLD BARGAIN - 1957 |
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WDCS278 HAVE GUN, WILL DANCE - 1963 |
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U$57 THE SWAMP OF NO RETURN - 1965 |
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http://www.cbarks.dk/THEBRUTOPIANCONNECTION.htm | Date 2012-03-30 |