When it became known in 1971 that the comic book artist Carl Barks had begun a new career creating oil paintings featuring the Disney ducks, he was increasingly besieged by fans and collectors, who wanted him to paint a masterpiece for them. His files speak volumes of the numerous requests he received, some of which were discarded for various reasons, while others were booked as potential orders. The accepted orders could mainly be divided into two categories; motifs relating to Barks' former stories, and motifs relating to his old front covers. On this page you are presented to 4 oil paintings featuring scenes relating to one of his first opuses namely FC0189 The Old Castle's Secret. This is the story.
PROLOGUE |
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CASTLE #1 |
Barks was never especially interested in titling neither his stories nor his paintings, and this one is no exception. Instead of simply titling it as the story, he chose to call it Old Castle. When you compare the artwork to the cover you will see how precisely Barks copied the cover except for the aforementioned flagstones that, in turn, make the stone pattern much more realistic. The painting, which was Barks' 24th official Disney painting in 1971, was made on canvas in the size 16x18" (410x460mms), and it was purchased at 150 dollars, which was the normal rate for Barks' duck paintings at the time. In 2014 the artwork was resold for 71,700.00 dollars... There seems to be some sort of consensus about the origin of Scrooge's family castle. Seemingly, it was amalgamated from several genuine British castles that Barks found in his useful and often researched National Geographic magazines. In this case the issues from May 1946 and July 1947. He took the basic structure from the Welsh Harlech Castle, a tower from Cawdor Castle, and turrets and battlements from Glamis Castle. Some of the interior parts were copied from Winchester Castle. Remark: It seems a bit puzzling that the ghost, who is in fact the castle's villainous caretaker (oops, spoiler), has the normal comic characters' 4 fingers on each hand, but when he presents himself as a ghost he suddenly has 5 human fingers, which can also be clearly seen in both cover, story, and painting. |
CASTLE #2 |
The following year Barks produced another
version of his castle painting, and this time he deviated somewhat. Now
Scrooge is suddenly present, which is only logical as he was the most
important character in the story. By comparison you will see several other
differences from the first painting. The most easily identifiable are a
more cloudy sky filled with hovering birds, the arch stones are filled
with more mortar, the rearranging of Donald's right hand, and the nephews
have more distinctive eyebrows. The painting, that was Barks' 21st official Disney painting in 1972, was made on canvas in the size 16x20" (410x510mms), and it was purchased at 189 dollars, which was the normal rate for Barks' duck paintings at the time. Remark: At the time of the story Barks had most of Scrooge's appearance fixed except for his pince-nez. It was of the same shape as later on, but the glasses were rimless and far bigger. When Barks made the painting he made sure that Scrooge was wearing the correct, contemporary type of pince-nez. |
EXTERIOR SETTING |
In 1980 Barks received his second permission to paint Disney ducks, but this time most of the new paintings were accompanied by a limited number of lithographs and/or serigraphs thus enabling more fans to purchase the almost real thing at lower prices. From now on Barks numbered the paintings with sequential numbers starting from his first official Disney artwork making this one #132. Spawning from the painting came a series of 345 lithographs that were both numbered and signed by Barks. It is interesting to see
that Barks for some unknown reason furnished Scrooge with a pince-nez
similar to the one in the story. The painting, that was Barks' 9th official Disney painting in 1986, was made on Masonite in the size 20x25" (510x640mms), and it was purchased at 22,500.00 dollars, which was paid in 3 rates due to the high price. Barks also enjoyed a steady income of royalties from the paper copies (see more HERE). Remark: By using a fictitious Scottish location called Dismal Downs Barks managed to come up with a title consisting of 4 D-words. Although the location name was never used in the story, Barks used the similar name Dismal Swamp as a setting for other stories; according to WDCS216, WDCS243, and U$57 it is located right outside Duckburg. |
INTERIOR SETTING |
Barks' last castle painting takes us inside
the corridors of the castle, in which, unknown to themselves, the ducks
are being followed by the ghost. Again, the sword seems to be floating in
the air as in the 1986 painting, but this time we get to see some of the
skeleton arm as a shadow on the wall. And lo and behold: The hand seems to
have only 4 fingers! The painting, that was Barks' 5th official Disney painting in 1996, was made on Masonite in the size 12x16" (300x410mms), and it was purchased at 24,000.00 dollars. The artwork was not published in any type of paper copies. Remark: As usual, Barks made numerous rough sketches of the motif before he was satisfied with the contents and the composition. Some of the discarded ideas were that Scrooge was urging the Ducks forward by impatiently waving his right hand at them, the three nephews were lined up in a single file, the sword was presented as a scimitar(!), and the ghost was seen as a complete skeleton. |
http://www.cbarks.dk/THECASTLEPAINTINGS.htm |
Date 2015-11-19 |