Whenever Carl Barks
produced a Disney duck oil painting he made endless studies before he began to
paint the end motif. First he scribbled down numerous very rough ideas, and then
he jotted down even
more layout sketches, all in an attempt to focus his thoughts and zero in on the
essentials of his main motif. (Also, he was
never comfortable trying to decide on titles for his artwork, an example of
which can be seen HERE.)
Graphic ideas were born, others were discarded,
and objects were moved around in the composition in order to achieve the
best end result.
This website has already published many of Barks' sketches in
diverse stages of completion, and now the time has come to concentrate on some
of the concept sketches he made for one of his most treasured paintings, namely An Embarrassment of
Riches from 1983. You are presented to a broad collection of sketches - made
on vellum or paper using pencil or oil - that will enable you to perceive just how much
work lay behind the impressive end result that, by a glance, to some may seem fairly
straightforward and simple. Which is certainly not the case!
Normally, Barks would not keep records of the multiple sketches he made, but with this painting he did in fact start a listing on a sheet of paper briefly mentioning the first 21 sketches. The sheet information is self-explanatory. After that he gave up booking the work... |
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It goes without
saying that the drawings shown below are of a relatively poor graphic
quality as they are just rough sketches as Barks strove to create the
paramount composition for the painting. He never intended for his sketches
to be published (in which case he would have made them better), so you
shall have to accept the images as is. On the other hand, they are
powerful documents showing you a fraction of the colossal work that lay
behind each painting. |
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This page is
closely connected to a detailed page describing the painting (and even more
sketches!). |
http://www.cbarks.dk/THECONCEPTSKETCHES.htm |
Date 2017-01-09 |