Carl Barks' duck stories can be
read on different levels by children and adults from pure
slapstick comedy to ponderous epic poetry, which is all the more
impressive as Barks always pictured young children as his natural
target group, but he also felt that they should get something for
their money. And they really did, because his stories are often
built with several layers. A very persuasive argument to that end
is the indisputable fact that readers have little trouble
recalling his stories. Surely, this would not happen if the
stories were simple and predictable, which was certainly the case
with some of his contemporaries' stories! But Barks incessantly 'walked
the extra mile' and the result is that his stories linger in our
minds.
Below you are presented to a few diverse types of layers in Barks'
often quite complex and multifaceted stories.
UNDERLYING THEMES | |||||||||
This is by far the largest group of
them all, as the majority of the stories contain several
themes. Take for instance Barks' hooky stories (see more HERE).
The nephews evade school, Donald pursues them, and in the
end everything comes together. Although we tend to hope
the nephews get away with their desire for freedom, we do
also acknowledge Donald's parental problems, and the
moral end result is always one that everybody can accept. |
CHARACTERISATIONS | |||||||||
Although his overall character was
fairly well established Barks would sometimes rock our
perception of Donald as being just Mr. Average - but with
an unlucky streak. Barks often portrayed Donald spanning
from a penniless nobody to a thoughtless bungler to a
master in highly skilled jobs, and his moods changed from
being a helpful soul to a stubborn ignoramus to a highly
temperamental volcano. But he was much more faceted. Here
are three more, less portrayed, layers to Donald's
personality: |
UNNECESSARY FILLERS | |||||||||
An important aspect of a story is
that the presence of one or more characters is not only
justified but also brings the plot forward thus adding an
extra layer. Barks was, of course, very aware of this
technical issue, but a few times he sinned against the
unwritten rules: |
PARALLEL ACTIONS | |||||||||
It has often been stated that Barks'
stories are out of the ordinary, because they have so
many ingredients and are made with such cleverness that
none of his contemporaries were able to dream up stories
of the same versatility and eloquence. And still Barks
continued along new lines! For instance, many of his
stories run on different levels adding to their
complexity and fascination: |
TWIST ENDINGS | |||||||||
Barks was a master in piecing
together stories that ended with an unexpected plotline
layer (see more HERE): |
http://www.cbarks.dk/THELAYERS.htm | Date 2010-06-21 |